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The Guardian - UK
The Guardian - UK
Entertainment
Michael Hann

Squeeze: Trixies review – finally completed first album proves teenage dreams are hard to beat

Squeeze’s Glenn Tilbrook and Chris Difford standing outside a theatre in the dark
Sounds like a musical … Squeeze’s Chris Difford (left) and Glenn Tilbrook. Photograph: Dean Chalkley

In interviews to promote their 16th album, Chris Difford and Glenn Tilbrook have been upfront about the reason for its existence. After the world shrugged at The Knowledge in 2017, someone told Tilbrook: “‘Nobody is interested in a Squeeze record. What matters is Squeeze’s story.’ That stayed with me,” he says.

So not only does Trixies contain a story – it’s a concept-album-cum-musical about a fictional nightclub – but there’s also a great tale around the album. It was written when Difford and Tilbrook were teenagers in 1974 but left unrecorded because they couldn’t properly play the songs they had written. It’s both a new record and something for the fans who always want the old stuff.

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