When the needle drops, Elias Rahbani’s 1972 album Mosaic of the Orient (Näi, Buzuk & Guitar) cascades out from a Technics SL-1300GE-K turntable and a colossal pair of Tasmanian-made Pitt & Giblin Superwax speakers. I’m in the Listening Room – a temple for audiophiles, and to the vinyl record – in Melbourne’s Acmi, as part of Rising festival’s new exhibition The Vinyl Factory: Reverb. The gear sounds extraordinary – and it is only one story in a room filled with countless more.
Rising music curator and Triple R host Yasmine Sharaf remembers the moment she spotted that rare Rahbani record, on a 47C day at a Cairo market. “Record shopping is really hard in Egypt. Everything usually has no cover and is covered in dust. It was sitting on the very top in complete sun. Somehow in perfect condition, not warped or melted. You’d think it would just be a puddle. I feel I was supposed to find it and save it.”
