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The Guardian - US
The Guardian - US
Entertainment
Veronica Esposito

Skyscrapers and smokestacks: the grittier side of Georgia O’Keeffe

Woman in car
Georgia O’Keeffe in 1932. Photograph: Alfred Stieglitz/AP

Georgia O’Keeffe is celebrated for her ethereal depictions of flowers, sunlight, landscapes and animal bones, their gracefully swooping forms dripping with organic curves and seemingly on the verge of melting before our eyes. Such an approach would seem to be quite at odds with the firm, straight lines of farmhouses and barns, to say nothing of the electrified skyscrapers of New York City – and yet that is exactly what is centered in Georgia O’Keeffe: Architecture, a new show at the Detroit Institute of Arts (Dia).

“I wanted to tell a new story about an artist who is so familiar,” said curator Ben Colman, who oversaw this collection of close to 40 works from the famed artist. “We can take a fresh look at works that O’Keeffe always considered essential and celebrate them in the way she wanted to.”

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