It all started – or stop-started, perhaps – with some tiny pterodactyls. As 1924 drew to a close, Marcel Delgado was putting the finishing touches to 50 model dinosaurs. For months, the sculptor had been meticulously constructing a range of Tyrannosaurus rexes, brontosauruses and pterodactyls. Now he was getting ready to pass them on to pioneering animator Willis O’Brien, who would painstakingly move each creature an almost imperceptible amount, shoot another frame, and then repeat the process.
A year later, The Lost World – the first ever feature film using what was termed “stop-motion” – was released, transforming Arthur Conan Doyle’s novel of the same name into an action-packed spectacle. Audiences were astounded, even dumbfounded by its seemingly supernatural special effects.
