
IT is a contrasting scene that confronts audiences for Sara Shaarawi’s new play Sister Radio, which is the inaugural production in Pitlochry Festival Theatre’s new 157-seater studio. The stage is set in a semi-naturalistic evocation of pleasant domesticity (representing the modest Edinburgh flat of Iranian émigré Fatemeh).
By contrast, the auditorium is the very picture of a well-appointed and modern public space. Audience members are seated comfortably on three sides, and on two levels, around the stage in what is a very welcome addition to Scotland’s theatre stock.