
Shapeshifting and mecurial, the fourth album from self-described ‘scarlet doom’ act Messa reveals refinement and maturity while retaining their innate sense of mystery.
While their early doom whumps were undeniably satisfying, 2022’s Close offered a change of tone and tack, folding in proggier stylings and more by way of worldly instrumentation. The Spin, in typically contrary fashion, seems both a step away from such endeavours and a leap towards their logical conclusion.