It took a great deal of blood, sweat and tweets, but in 2016 the Academy finally took notice and started to embrace both diversity and modernity. The #OscarsSoWhite furore over two straight years of all-white nominees (Michael B Jordan’s Creed snub was in my opinion the cruelest) led to a dramatic shake-up and one that has continued ever since with more women, people of colour and international voters added to what had been an overwhelmingly homogenous base.
It has all led to an Oscars race that is increasingly harder to predict using old-fashioned thinking in ways that have become rather thrilling over time, the idea of an “Oscar movie” now far more slippery. Films such as Parasite, Anora, Moonlight, Anatomy of a Fall, Nomadland, Get Out and The Zone of Interest have now found their way into the major categories in past years, and this year’s crop showcases further progression – from foreign language picks to outsider narratives to pricklier characters than ever before.
