
I had been looking forward to the National Gallery’s exhibition Siena: The Rise of Painting, 1300-1350 for several reasons.
First, it was many years in the making. Its curator, Professor Emerita Joanna Cannon of the Courtauld Institute of Art, had been working on it for a decade or so. Duccio, one of the exhibition’s featured artists and one of the greatest Italian painters of the middle ages, had a major show in Siena in 2003. Another featured artist, Ambrogio Lorenzetti, had a smaller exhibition in the same city in 2017.