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The Guardian - UK
The Guardian - UK
Entertainment
Stuart Heritage

Short sharp shocks: the glorious return of the Amicus portmanteau horror film

Joan Collins, left, and Oliver MacGreevy in Tales from the Crypt.
Joan Collins, left, and Oliver MacGreevy in Tales from the Crypt. Photograph: Everett Collection Inc/Alamy

Although Hammer usually receives the bulk of the recognition, there would be no real British horror movie scene without Amicus Productions. Between 1962 and 1977, Amicus produced 28 movies, many of which have become cult classics. The Psychopath. The Deadly Bees. And Now the Screaming Starts! Fine films, all.

But where Amicus really sang was in its “portmanteau” films, made up of five or six short stories connected by a loose overarching theme. These films were not only masterpieces of creativity (after all, it’s much easier to string out one bad idea for 90 minutes than to cram in half a dozen) but also of marketing. Most of the seven Amicus anthologies were sold on the star power of one actor who, given the brevity of each story, might have only appeared on screen for a couple of minutes.

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