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The Guardian - UK
The Guardian - UK
Entertainment
Imogen Tilden

‘She’s badass’: how brick-throwing suffragette Ethel Smyth composed an opera to shake up Britain

A feminist opera … Karis Tucker, centre,  as Thurza in The Wreckers.
A feminist opera … Karis Tucker, centre, as Thurza in The Wreckers. Photograph: Tristram Kenton/the Guardian

‘She was a stubborn, indomitable, unconquerable creature. Nothing could tame her, nothing could daunt her,” said conductor Thomas Beecham, speaking in 1958 about the composer Ethel Smyth. “She is of the race of pioneers, of path-makers,” agreed her friend Virginia Woolf. “She has gone before and felled trees and blasted rocks and built bridges and thus made a way for those who come after her.”

“She’s badass. I’d love to have met her,” says Jeffrey Lloyd-Roberts. The tenor sings in a new production of Smyth’s 1906 opera The Wreckers, which makes its debut at Glyndebourne on 21 May, and will be performed at the Proms this summer. Her music is “incredible”, the conductor Robin Ticciati says. “She uses the brass and the timps as weapons, blades!”

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