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The Guardian - UK
The Guardian - UK
Entertainment
As told to Rachel Aroesti

Sharon Van Etten: ‘I don’t share 99% of my music: sometimes it’s too dark’

Sharon van Etten
Sharon van Etten … ‘Ninety-nine per cent of what I do I don’t share: sometimes it is too dark and sometimes it just doesn’t make any sense’ Photograph: Michael Schmelling

Your music has helped me in understanding times of my life and what I thought were ineffable emotions. What records or artists were the first to make a lasting impact on you or helped to immerse you in the musical world? carolinemurray

I started listening to a lot of classic records via my parents – the Everly Brothers, the Mamas and the Papas, the Beatles, the Rolling Stones – but the first records that I found on my own that I connected with deeply were Elastica’s Elastica, Liz Phair’s Whip-Smart and Nine Inch Nails’ Pretty Hate Machine. I was in junior high when I first heard them. I was a pretty angsty kid – but quietly anxious, a door-slammer – and I would blast music so loud and write in my journal. I did not know how to express myself at all, and I’m still working on it; my journals have turned into my music. Elastica was so driven and playful and sexy, Liz Phair was tough but poetic and I loved her angular guitar playing. I loved the industrial nature of Nine Inch Nails and it was definitely the epitome of teenage angst. I was just like: “Wow, maybe I am depressed? I didn’t even know!”

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