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The Guardian - UK
The Guardian - UK
Entertainment
Helen Meany

Riders to the Sea / Macbeth review – intense double bill linked by elemental forces of nature

Electrifying … Marty Rea in Macbeth.
Electrifying … Marty Rea in Macbeth. Photograph: Ros Kavanagh

Marking 50 years of exceptional theatre-making, Druid Theatre Company presents a double bill showcasing the artistry of this tight-knit ensemble and the excavatory lens of its artistic director, Garry Hynes. With a wealth of past productions to choose from, Hynes has paired JM Synge’s stark one-act tragedy, Riders to the Sea, with Macbeth.

While Synge’s distilled miniature is almost eclipsed by what follows, the plays are linked by a focus on the elemental forces of nature and the shadow of death, with small, telling moments of visual continuity between them. In Synge’s play, a grieving mother (Marie Mullen) has a premonition of the death at sea of her last surviving son (Marty Rea). The keening women and black-cloaked villagers’ laments are later echoed in the guttural cries of the weird sisters, hooded figures from folk horror, who accost Macbeth (Rea) and Banquo (Rory Nolan) on the blasted heath.

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