The American director Richard Linklater has one of the great, eclectic film-making CVs: from classics such as Dazed and Confused to School of Rock, Before Sunrise to Boyhood, which was filmed with the same cast over 12 years. That versatility is seen again in his latest movie, Hit Man, released earlier this year to critical and audience acclaim and now on Netflix. A rare foray for him into the comedy-thriller genre, it tells the trueish story of a nondescript college professor (an excellent Glen Powell) who has a side hustle as an undercover operative for the New Orleans police, pretending to be different hitmen in order to elicit arrests. Next year he releases Nouvelle Vague, shot entirely in French. Linklater is 64 and lives in Austin, Texas.
There’s a line early on in your latest film: “Hitmen don’t really exist.” You mean that they are, essentially, an invention of Hollywood films. Were you surprised by this fact?
No, I’m completely amused and thrilled by it. I’ve known this for 25-plus years: hitmen are like snuff films, they don’t really exist. There’s not one record of a hitman being arrested. This is a myth, but one people believe so thoroughly because of pop culture – movies and TV mostly. [A hitman] is just a great character and we love the idea of them too much – even though shouldn’t we be relieved that there aren’t any?
