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The Guardian - UK
The Guardian - UK
Entertainment
Clare Brennan

Reverberation review – Matthew López’s romcom is rooted in violence and rejection

Michael Ahomka-Lindsay and Eleanor Tomlinson in Reverberation
‘Easy grace’: Michael Ahomka-Lindsay and Eleanor Tomlinson in Reverberation. Photograph: Marc Brenner

London-based American writer Matthew López is best-known for two works centring on gay male experience. His prize-winning, seven-hour drama The Inheritance reworked EM Forster’s novel Howards End into an examination of the lives of gay men in New York post-Aids, and opened to acclaim in London in 2018. In 2023 López co-wrote and directed Red, White & Royal Blue, the film of Casey McQuiston’s novel of the same name about a relationship between the sons of a US president and a British royal.

Something of both works comes across in Reverberation, López’s 2015 play, receiving its European premiere in Bristol. A meet-cute, romcom brightness of tone bubbles from a situation rooted in the darkness of remembered traumas of violence and rejection, as three lonely characters struggle, in Forster’s famous phrase, to “only connect”.

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