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The Guardian - UK
The Guardian - UK
Entertainment
Safi Bugel

Reckonwrong: How Long Has It Been? review – wonky delight with shades of Arthur Russell and Robert Wyatt

The musician Alex Peringer wearing glasses, eyes shut, against a cream background
Left-field flourishes … Alex Peringer AKA Reckonwrong. Photograph: David Spence

A decade ago, Londoner Alex Peringer intrigued underground club circles with his outlandish take on dance music. Structured around dizzying time signatures and wry tales of unfulfilling lovers and pills gone wrong, his tracks referenced everything from UK funky to new wave and sea shanties. Then came several years of near silence – now broken by this self-released debut album, How Long Has It Been? The record acknowledges this break not just in the title, but also in its sound. On first listen, it couldn’t seem more different to Peringer’s early work, with those discordant constructions now replaced by the warm tinkering of the Rhodes electric piano and ostensibly earnest sentiment. But traces of that eccentricity still linger in this collection of atmospheric bedroom-pop ballads.

The record takes winter as its theme, though it feels fitting for this transitional time of year, with its stories of introspection and dodgy weather set against soft, simple arrangements. A handful of subtly wonky elements stop it from sounding overly polished or guileless: Before and After slips in a reference to a “fateful bong”; on the dreamy duet Two Lovers, glitches cut through the twinkling keys and mumblecore guest vocals. Elsewhere, the chords waver on Black Keys, one of several gorgeous and forlorn instrumentals.

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