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Jonathan Horsley

“Rarely to never do I ever walk out here and just click two pedals on and go, ‘Yeah, all right! There’s your tone’”: First-call Nashville pro Derek Wells reveals why presets are no good for sessions – and why you should be tweaking too

A video still of session pro Derek Wells in the studio with his pedalboard and ES-335.

There is a lot to be said for pedal presets and patches on our multi-effects units – they are super convenient for saving and recalling our favourite guitar tones, and often essential when playing live. But it is a different story when recording, and Nashville-based session ace Derek Wells has explained why players need can’t rely on them in the studio.

In a recent video segment for Inside Blackbird, Wells says all bets are off when you arrive in the studio for a session, because what sounded great before you start recording won’t necessarily work for the track, especially in a busy mix.

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