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The Guardian - UK
The Guardian - UK
Entertainment
Lyndsey Winship

Rambert: Death Trap review – a double bill of despair from Ben Duke

Incredible movers … Goat by Ben Duke at Sadler's Wells.
Incredible movers … Goat by Ben Duke at Sadler's Wells. Photograph: Tristram Kenton/the Guardian

Rambert is a dance company currently firing on all cylinders, and choreographer-director Ben Duke has come up with some gems in recent years, so this double bill of the two works Duke has made for Rambert should be a corker, but it doesn’t completely fly.

The older of the two pieces, Goat, was made in 2017. The first day of creation came in the aftermath of the London Bridge terror attacks, a mile away from Rambert’s studio, just as Duke was planning to take Nina Simone’s advice that an artist’s duty is to reflect the times. There were no doubt a lot of reactions and ideas swirling around in the studio as they made it, and there are still too many ideas swirling around on stage now.

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