Imagine you’ve spent the past 20 years writing about songs but never had the chops to write one. This is my penance: sitting in a room in north Wales, with a tiny keyboard and notebook spidery with attempted lyrics, the only rhythm in my ears my rave-energy heartbeat, the only melody in my mind the lilting panic of my inner critic going: “Argh!”
It’s the final day of a four-day songwriting course at Literature Wales’s 16th-century HQ, Tŷ Newydd Writing Centre, led by Brian Briggs of folk band Stornoway and Welsh poet and songwriter Paul Henry. Tonight, I have to perform an original song with two relative strangers, in front of people I didn’t know four days earlier. This particular terror is the climax of a bigger endeavour on my part: to explore the growing popularity of songwriting courses, and to find out if they work.
