In the summer of 2010, Anuvab Pal was writing an article about the opening of the Comedy Store in Mumbai, impresario Don Ward’s attempt to introduce British-style standup to India. Pal, then working primarily as a screenwriter, went to interview Ward, whose storied London venue was a cradle of alternative comedy in the 1980s. He told Pal that press coverage was all well and good, but what he really needed was performers. The initial plan – flying British comics out to India – would be too costly to maintain long-term, which meant he had to find talent, fast. Would Pal audition for him?
Pal agreed but remained sceptical. “I remember telling my family: ‘This is just a little hobby, I don’t think English comedy’s going to pick up in India,’” he recalls. “Fourteen years later here we are chatting. I still wake up every morning thinking: ‘This is going to end, obviously.’”