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Daniel Brookes, Lecturer in Film and Television, University of Bristol

Psychoanalysing Succession’s tense finale – a Freudian suspension of pleasure

Warning: the following article contains spoilers.

Sigmund Freud, the 20th century titan of psychoanalysis, would doubtless have plenty to say about the Roy family, had the characters ever plopped down on his treatment couch.

The cunning ruses of the Roys are ticking timebombs of self-sabotage. Their vaulting and faltering desires mask the fundamental human requirements they are missing: love, attention, esteem and purpose. But there is another component of the Succession experience that has a complicated relationship with pleasure and desire – the viewer.

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