At first sight there was little in common between the works by Jennifer Walshe and Brahms in Ilan Volkov’s prom with the BBC Scottish Symphony Orchestra. But both are memorials: Brahms was prompted to compose A German Requiem by the death of his mother in 1865, while Walshe’s The Site of an Investigation dates from 2018 (this was its London premiere) and is dedicated to her friend, the actor Stephen Swift, who died in that year.
There, though, the similarities end. Walshe’s piece is part melodrama, part music theatre, part scena, with the composer herself delivering a text assembled from a huge range of internet sources. Text, she says, is “like the canary in the coal mine … an early-warning system of how culture is changing.” And so the 26 sections of The Site of an Investigation range across the obsessions and evils of modern life, taking in racism and misogyny, beach parties and microplastics, Mars landings and artificial intelligence. It’s delivered by Walshe in tones that range from hectoring declamation to the tenderest lullaby. There are surreal moments too: at one point two percussionists wrap a model giraffe in paper, their amplified rustling adding to the sound world; at another they assemble a wall of transparent bricks, like blocks of ice, which they then proceed to knock over.
