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The Guardian - UK
The Guardian - UK
Lifestyle
Robert Rotifer

‘Pictures unite!’: how pop music fell in love with socialist infographics

Pictograms of ‘woman’ from The Isotype Picture Dictionary.
Pictograms of ‘woman’ from The Isotype Picture Dictionary. Photograph: Laura Bennetto/Otto and Marie Neurath Isotype Collection, University of Reading

When Otto Neurath died in Oxford some 80 years ago, far away from his native Vienna, he was still finding his feet in exile. Like many a Jewish refugee, the economist, philosopher and sociologist had been interned as a suspected enemy alien on the Isle of Man, along with his third wife and close collaborator Marie Reidemeister, having chanced a last-minute life-saving escape from their interim hideout in the Netherlands across the Channel in a rickety boat in 1940.

Thanks to Neurath’s pioneering use of pictorial statistics – or “Isotypes” as Reidemeister called them, an acronym for “International System of Typographic Picture Education” – he left behind an enormous legacy in the arts and social sciences: it is the language through which we decode and analyse the modern world. But his lasting relevance would have been hard to predict at the time of his death at the age of 63.

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