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The Guardian - AU
The Guardian - AU
Entertainment
Cassie Tongue

Phantom of the Opera review – a grittier revamp of the timeless phenomenon is still a one-in-a-million treat

Josh Piterman in Phantom of the Opera Australia 2022
Josh Piterman in Phantom of the Opera Australia holds the centre with his steady, sure performance. Photograph: Daniel Boud

There’s something about the Phantom of the Opera.

It starts early, when auctioneers clearing memorabilia from the old Paris Opera House arrive at Lot 666: an enormous chandelier. Perhaps we remember, the auctioneer asks, the story of the Phantom of the Opera? Raoul, Vicomte de Chagny (Blake Bowden) does. He bids and the chandelier rises above our heads to find its place, ablaze with light. It’s a grand set piece infused with magic. You might applaud.

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