It has been 50 years since the cinema release of Peter Weir’s iconic, offbeat, cult classic The Cars That Ate Paris. The film seared the image of a silver Volkswagen Beetle weaponised with deadly spikes into the national imagination. It also helped shape the tropes of Ozploitation filmmaking within the history of Australian cinema.
Main character Arthur Waldo (Terry Camilleri) and his older brother drive through idyllic countryside, filmed like a tourism commercial. But when a sign diverts them off the highway towards the fictitious town of Paris, it soon becomes clear the place survives on a “crash economy”.
