It is rarely a good sign when a performer comes on at the start to give some background about what we are about to see. But thank goodness Peter Smith did, otherwise I’d have had no idea what this wilfully meandering piece of performance art/cabaret was about.
While the title refers to Diana, the late Princess of Wales, her role feels vague. Smith, who is popular on the New York cabaret scene, talks at the outset about being obsessed with Diana, finally hearing her voice when watching Martin Bashir’s now-infamous interview.
