Objects pile and tower as walls in Chloë Lawrence-Taylor’s debut play. Since their father’s funeral, when Bea scratched an obscene picture into Veda’s car bonnet, the two sisters have lost contact, and Bea has been isolated in an ever-growing haven of “stuff”. Old vinyl, books, crockery, bags for life and mountains of cutlery have turned her home into a graveyard of the past. To an outsider, it is the depths of hoarding; to Bea, every dusty item is a relic to be pored over and adored.
But, now Veda has stopped by unexpectedly to “fix” things. Lawrence-Taylor’s vivid dialogue paints the sisters both as strangers, with years missing between them, and familiars, bound by their shared youth. They remember intimate details about each other; Veda drinks camomile tea, Bea loves bonsai trees. The actors, Holly Atkins (Veda) and Rosie Cavaliero (Bea), bring remarkable emotional texture to their roles; their relationship feels lived-in and layered with complication. As they bicker, laugh and plead with one another to understand their side of things, their speech rolls over each other in a natural rhythm.
