Michael Mann has shown time and again in films like Thief, Heat, Miami Vice and Public Enemies that he is one of American film’s greatest explorers of the underworld. “It’s like a kind of cultural anthropology,” Mann tells me from his office in Los Angeles. “If you make films, you get to do that in a different place with a different subject every few years. For me, the exploration is the high.”
With its unsettling atmosphere and soaring beauty, Mann’s 1986 film Manhunter reimagined how a thriller could look, sound and feel in an early high point for the director. To commemorate its 40th anniversary Manhunter: The Final Cut, a 4K restoration and director’s cut with three minutes of new footage, will see a theatrical release in New York and Los Angeles this weekend with a nationwide US rollout to follow.
