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The Guardian - UK
The Guardian - UK
Lifestyle
Gabrielle Schwarz

‘People didn’t think of her work as fine art’: revisiting the psychedelic creations of Moki Cherry

Moki Cherry’s Not My Cup of Tea, 2006.
Collage education … Moki Cherry’s Not My Cup of Tea, 2006. Photograph: Cherry Archive, Estate of Moki Cherry

For the Swedish artist and designer Moki Cherry, there was no separation between life and work. As her motto went: “The stage as a home, and the home as a stage.”

In 1963, at the age of 20, she met the jazz musician Don Cherry, with whom she formed a decades-long domestic and creative partnership. Roving between Europe and the US, they developed a new approach to performance, taking concerts out of late-night jazz clubs and into galleries, schools and outdoor spaces. Moki, who trained as a fashion designer in Stockholm, produced album covers, costumes and tapestries that were used as environments for these events – all in her signature psychedelic style. The enterprise, which fused eastern and western cultural traditions, was branded “Organic Music Theatre”.

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