
Samuel Beckett is justly regarded as one of the greatest playwrights of the 20th century – and unquestionably one of the most demanding. Few of his works illustrate this more clearly than Happy Days, first performed in 1961, and currently playing at the Sydney Theatre Company.
The premise of this visually arresting two-act play – notable as Beckett’s first play to feature a central female character – is simple and simultaneously astonishing.