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The Guardian - UK
The Guardian - UK
Entertainment
Aneesa Ahmed

Overmono review – sparkling shards of rave culture tear up the dancefloor

The big-room experience … Overmono at the Roundhouse.
The big-room experience … Overmono at the Roundhouse. Photograph: Sonja Horsman/the Guardian

Although pounding kick drums, speedy hi-hats, crawling basslines, and looped vocal samples are often associated with DJ sets in late-night club spaces, Overmono are one of the growing number of dance music acts showing that the genre can thrive in a large-scale gig environment and not lose its gritty character. London’s Roundhouse provides an alternative type of big-room experience to what tech-house-loving-bros might be used to, yet the concave roof collects the sound, engulfs listeners, and facilitates a Wednesday evening dance.

The duo of brothers Tom and Ed Russell, AKA Truss and Tessela, get the energy high from the off with their heavy Joy Orbison and Kwengface collaboration Freedom 2, before heading into their more synth-heavy, ecstatic cuts. Big tracks like Gunk and BMW Track are mixed in with crowd-pleasing samples – such as Ruff Sqwad’s Functions on the Low, the Streets’ Turn the Page, and Tessela’s own Hackney Parrot – and smooth transitions are made between them all; soon even those in the seating area stand up and move in a hemmed-in two-step.

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