
The notion of the divine feminine is a recurring motif in American pop culture, playing with the assumptions people make when referring to God – often the deity described in the Bible – as “He.”
Whether it’s Alanis Morissette’s iconic portrayal of God in the 1999 comedy “Dogma” or Ariana Grande’s titular declaration in her 2018 track “God is a Woman,” the effect is the same: a mixture of irreverence and empowerment. It dovetails, moreover, with a ubiquitous political slogan: “The future is female.”