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Kate McNicholas Smith, Senior Lecturer in Screen, University of Westminster

On Swift Horses: a film that fails to go deep enough on the complex queer lives of people in the 50s

This piece contains spoilers for On Swift Horses

On Swift Horses, directed by Daniel Minahan and adapted from the novel by Shannon Pufahl, is a romantic drama set in the US in the 1950s – an era familiar from classic Hollywood cinema and countless nostalgic films and TV series. Daisy Edgar-Jones plays Muriel, who is quickly (if somewhat reluctantly) engaged to be married to Lee (Will Poulter) – a working-class man with aspirations to the American dream. The arrival of Lee’s brother Julius (Jacob Elordi), however, reveals cracks in the young couple’s seemingly perfect relationship.

That this is a queer film is not immediately obvious from its publicity. In fact, promotional materials might lead audiences to assume that Muriel and Julius embark upon an affair.

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