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The Guardian - UK
The Guardian - UK
World
Andrew Hussey

Obsession, jealousies and Joséphine: has Ridley Scott’s new film captured the real Napoleon?

Joaquin Phoenix in Napoleon, directed by Ridley Scott, which is due in cinemas on 22 November.
Joaquin Phoenix in Napoleon, directed by Ridley Scott, which is due in cinemas on 22 November. Photograph: Album/Alamy

Napoleon Bonaparte is probably the most famous Frenchman of all time and is, according to academic sources, second only to Jesus as the most filmed figure in cinema history. Napoleon is a complex subject whose aura, monstrosity and genius is a perfect fit for great cinema and who is therefore an irresistible challenge for any serious film-maker. Little wonder then that Ridley Scott, who is now 85 years old, and whose long and prolific career includes many big, sweeping movies, has finally succumbed to the lure of the “little corporal” from Corsica.

Napoleon is due in cinemas at the end of the month with Joaquin Phoenix in the leading role and a soundtrack which includes Black Sabbath (their classic dirge War Pigs) and a slowed-down Radiohead cover (The National Anthem – another dirge).

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