Sadie Sink needs to be freed from whatever nostalgia curse has condemned her to a career full of pop synth soundtracks.
If Sink seemed the obvious choice to lead O’Dessa – a dystopian rock opera that feels like an 80s retro futurist screensaver lurching to life – it’s because of her impact in Fear Street: Part 2 and Stranger Things. Both situate the seemingly wise-beyond-her years star in the reimagined past of 40 to 50 years ago.
