No show has ever needed to end like The Bear. The series initially made its name as a vehicle of pure forward momentum, the story of a burned-out high-end chef drafted in to fix up and save his dead brother’s sandwich restaurant. Through eight breathless episodes we saw Carmy get repeatedly pummelled by the stresses of the job – fights, demands, an accidental stabbing – as he sought to rebuild it in his own image.
With the benefit of hindsight, this probably should have been the entire show. Because The Bear was in such an almighty clatter to get where it wanted to go that, when it got there, it didn’t have the first clue how to proceed. Seasons three and four both stalled badly, in a morass of montages and flashback episodes that felt like placeholders. The drop-off was tangible.
