This week sees the release of Heretic, Hugh Grant’s 45th feature film. Few critics would have predicted that length of career after his pouting 1982 debut in Privileged, a pretentiously shonky whodunnit featuring several of his fellow Oxford students. For the next decade he wasn’t so much a fringe actor as an actor with a floppy fringe, invariably cast as a posh, slightly foppish Englishman, doomed to be forever brushing his lustrous hair back from his finely chiselled features.
Then 12 years on everything changed with the release of Four Weddings and a Funeral. More accurately, the floppy fringe remained, but now it was employed as comedy cover for a strikingly diffident kind of romantic hero. Overnight Grant was catapulted into the realm of international fame, going on to co-star with his haircut in a series of not wildly dissimilar romcoms.