The women of myth have been talking – and they’re pointing the finger at us. Myths are “mirrors of us”, writes Natalie Haynes in Pandora’s Jar, her book of essays on the women of Greek mythology. “Which version of a story we choose to tell, which characters we place in the foreground, which ones we allow to fade into the shadows: these reflect both the teller and the reader, as much as they show the characters of the myth.”
Considerations of culture and bias have been central to the recent wave of mythic retellings focused on women, from Madeline Miller’s Circe and Pat Barker’s Iliad trilogy to Haynes’s own triad of novels set within the classical Greek world (The Children of Jocasta, A Thousand Ships and Stone Blind). This latest is a reimagining of the myth of Jason and the Golden Fleece and, true to form, it centres the women.
