In his rolling, sonorous, Polish-accented English, veteran director Jerzy Skolimowski explains how he became a donkey whisperer. “I make a very close bond with the animal,” he says. “Every time I was not doing anything else, I sit with donkey. I look very closely at him, eye to eye. I speak to donkey, talking in his ears gently. All my free time I spent with donkey.” There is a reason for describing this inter-species bonding: Skolimowski is about to release his amazing new film that features a donkey as the main – indeed, only significant – character; its title is simply EO, designed to imitate a donkey’s bray.
Skolimowski, 84, obliges – “Ee-oh! Ee-oh!” – but seems unaware of the full extent of donkey-related sentiment that will undoubtedly be rolling his film’s way, in the UK at least. He and his wife – EO’s co-writer and producer Ewa Piaskowska – might know a little about the British adoration for donkeys, but they may be unaware that £60m (mostly in wills) was given to the Donkey Sanctuary in Devon last year. If even a tiny fraction of that money transmits to the box office, Skolimowski could have a hit on his hands.
