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Entertainment
Glenn Gamboa

New albums: Backstreet Boys; Jack & Jack

BACKSTREET BOYS

"DNA"

BOTTOM LINE: Ohmigod, they're back again!

Backstreet's back, all right. And sure, there are demographic and cultural reasons for it _ a way moms can share their musical crushes with their BTS-loving daughters mixed with a desire to use sweet unabashed pop to escape the increasing stressfulness in uncertain times.

But the main reason the Backstreet Boys successfully engineered this comeback _ massive tour, Grammy nomination for the hit "Don't Go Breaking My Heart" _ is the music. And "DNA" (RCA) builds on that momentum to create the group's strongest album in years.

"Chances," co-written by Shawn Mendes and Ryan Tedder, sounds more like Mendes or Justin Bieber than the guys who delivered "I Want It That Way" 20 years ago, with the thunderous intensity of the production adding a sense of drama that wasn't in the classic Backstreet Boys sound.

The retro soul of "The Way It Was" shows how they have reworked their trademark harmonies to fit in the current pop landscape, combining old-school vocals and fluttering falsettos with booming production the way Rihanna and Bruno Mars have, to build a gorgeous standout moment. With the a cappella "Breathe," they take a page from the Pentatonix playbook. And on "Just Like You Like It," co-written by country star Dustin Lynch, they show they could give Little Big Town a run for their money in Nashville.

But it's the way the Backstreet Boys have matured _ bringing the R&B-tinged pop sound that made them kings of the pop chart at the turn of the century with them _ that's the most impressive. "New Love," with its lower-register harmonies and distinctly adult lyrics, is the work of grown men. ("Who are you? The sex police?" asks AJ McLean to open the song.) The horn-tastic "Passionate" may be the funkiest they have ever been.

"DNA" marks the boys-to-men evolution of Backstreet, showing that the New Kids on the Block's successful strategy of working hard and accepting change is no fluke.

JACK & JACK

"A Good Friend Is Nice"

BOTTOM LINE: The social media sensation's debut is awash in pop pleasantries.

Childhood pals Jack & Jack, who made a splash years ago on Vine, are now social media stars with a European smash, "Rise," with British DJ-producer Jonas Blue under their belts.

So why wouldn't a sweet major-label debut follow? But "A Good Friend Is Nice" (Island) shows the challenges that come with moving from one platform to another. Jack Gilinsky, maybe best known on Long Island as Madison Beer's ex, and Jack Johnson are personable young men from Omaha whose charm plays well on YouTube and The 'Gram. But pop music, especially in the age of streaming, rewards uniqueness and intensity � which aren't necessarily the Jacks' strong suit.

Sometimes, they handle it well, like in the danceable first single "No One Compares to You" or the hip-hop-tinged "April Gloom." But often, Jack & Jack don't jump into styles deep enough, resulting in songs that are a bit too vague, like the slightly Euro "Barcelona" or the kinda-R&B "Tension."

"A Good Friend Is Nice" is certainly pleasant enough dance music, but not nearly as memorable as it needs to be to compete.

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