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Louder
Louder
Entertainment
Simon Young

“My life was going down the toilet. I was trying to stay out of everybody’s way, just to finish what I’d started." The story behind the troubled birth of Foo Fighters' second album, The Colour And The Shape

Dave Grohl in Denver circa 1998.

Following the success of the self-titled Foo Fighters’ debut album – written and recorded by Dave Grohl, save for a guest cameo from The Afghan Whigs’ Greg Dulli – the frontman had big plans for his next full-length.

“I've made punk rock records, and they’re fun and great and it’s quick and there’s passion,” said Grohl. “But I did that with the first record. I’ve never made a big, proper rock record before, so why not? People just don't seem to do it anymore, so we might as well take a shot.”

To tour Foo Fighters' 1995 debut, Grohl had assembled a full band: his former Nirvana bandmate, ex-Germs guitarist Pat Smear, and the rhythm section from the recently-disbanded Sunny Day Real Estate, bassist Nate Mendel and drummer William Goldsmith. By the time they arrived at Bear Creek Studios – a residential facility on a sprawling 10-acre plot in Woodinville, Washington – in November 1996, the quartet had been bonded by 15 months of touring and were excited at the prospect of committing their new songs to tape: tracks Enough Space, Up In Arms, My Poor Brain and My Hero were already firmly bedded into their setlist, hinting at a bigger, more expansive palette.

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