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Evening Standard
Evening Standard
Lifestyle
Nick Curtis

Much Ado About Nothing at the National Theatre review: Sorely disappointing

Not even the combined talents of Katherine Parkinson and John Heffernan can breathe life into this flaccid production of Shakespeare’s comedy, a rare misfire by director Simon Godwin.

Parkinson’s withering basilisk gaze and Heffernan’s etiolated air of being about to trump someone’s anecdote, should make them ideal casting for the sparring, reluctant lovers Beatrice and Benedick. But together they have zero chemistry. Neither their animosity nor their ardour rings true.

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