Director George Clooney both begins and ends “The Boys in the Boat ” on a sun-dappled lake. It’s a seductive sight, calm and soothing, and aptly reflects the ethos of a film that often feels like one has walked into an oil painting: well-crafted, lovely to look at, and rather old-fashioned.
Telling the true-life story of the University of Washington rowing team, a scrappy group that — incredibly — reached the 1936 Berlin Olympics, Clooney has gone for stirring and a bit stodgy, pleasing and a bit predictable. Given the craft involved, this is hardly a fatal flaw. And yet, when Joel Edgerton’s coach character surveys his team at one point and remarks, “We need an edge, Tom,” we think: Ah, yes. A little edge here would be nice.
