20. A Countess from Hong Kong (1967)
A minor picture with curiosity value: Charlie Chaplin’s final film as a director, starring Brando and Sophia Loren, a comedy in the style of the Hollywood Golden Age, based on the tall tales of a real-life Russian singer and in fact originally conceived by Chaplin in the 30s for Paulette Goddard. Brando plays an American diplomat who is astonished to find that the Russian countess (Loren) he was charmed by in Hong Kong has stowed away in his cabin on the voyage home. Brando does his best and this method legend was sufficiently in awe of Chaplin to submit to his old-fashioned way of working: acting out for Brando the required line-readings and movements. (Oh, to have had fly-on-the-wall location footage of these moments.) Certainly, Brando would never again be so submissive with a director.
