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Lifang Zhang, PhD candidate in Art History, Rhodes University

Moffat Takadiwa’s landmark exhibition uses found materials to comment on Zimbabwe's colonial hangover

Moffat Takadiwa, left, and curator Fadzai Muchemwa in front of the work Bhiro ne Bepa on his solo show Vestiges of Colonialism. Images courtesy Lifang Zhang

Moffat Takadiwa is a Zimbabwean artist famous for creating work from found materials. His exhibition Vestiges of Colonialism, curated by Fadzai Muchemwa, opened at the National Gallery of Zimbabwe on 16 March. This is the 40-year-old Takadiwa’s first solo show in Zimbabwe in a decade. Having exhibited around the globe, he’s best known for his sculptures made from consumer waste and urban residues such as toothbrushes, computer keyboards and cheap perfume bottles.

As an art historian focusing on contemporary Zimbabwean art, I have been researching the artist’s work for the past few years. With stunning, large scale sculptural works and installations, this exhibition unveils a map of the artist’s mind and reveals a profound and innovative space brimming with music, plants, soil, time and everyday life.

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