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The Guardian - UK
The Guardian - UK
Entertainment
Kate Wyver

Midnight at the Never Get review – Ben Platt soars in honey-hearted cabaret-musical of 60s sweethearts

Ben Platt in a brown suit performs at a microphone on a spotlit stage before a seated audience
Sky-gliding voice … Ben Platt in Midnight at the Never Get at the Menier Chocolate Factory, London. Photograph: Johan Persson

Ben Platt’s sky-gliding voice was made for decades gone by. The Tony, Emmy and Grammy award-winning actor (Dear Evan Hansen, The Last Five Years) is beautifully cast in Mark Sonnenblick’s (KPop Demon Hunters) out-of-time love story, a honey-hearted cabaret-musical of two gay musicians trying to make it in 1960s New York.

With the Menier Chocolate Factory set up as a lamplit cabaret (set by Scott Pask), Platt is Trevor Copeland, a crooning bar-singer reliving the years he spent with songwriter Arthur Brightman, played with plate-spinning brilliance by Gregor Milne. The history of their love is told through stories shaped around American Songbook-style music, only occasionally syrupy, as the pair slip in and out of Sonnenblick’s inventions: now a jaunty knee-bouncing number; now a big-band ballad.

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