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The Guardian - UK
The Guardian - UK
Entertainment
Peter Bradshaw

Mektoub My Love: Canto Due review – gobsmackingly weird series drops another surreal sex shocker

Mektoub my Love: Canto Due
Will the project evolve on an almost improvisational basis? A scene from Mektoub my Love: Canto Due Photograph: PR

So here it is – the third but, incredibly, perhaps not the final episode in the most bizarre arthouse franchise in film history, and which, for its sheer melodramatic ker-aziness it commands attention. So, as it were, previously on Mektoub My Love …

The first film in the series from Tunisian-French director Abdellatif Kechiche, who had won the Cannes Palme d’Or for Blue Is the Warmest Colour (for which he was famously required to share the award with his two acting leads Adèle Exarchopoulos and Léa Seydoux), arrived in 2017. This first MML (called Mektoub My Love: Canto Uno) turned out to be an epic erotic summer romance set in the early 90s about a guy called Amin (Shaïn Boumedine) who comes back from Paris to his hometown of Sète, having abandoned his medical studies to follow his dream of being a screenwriter, and finds himself immersed in his friends’ intrigues; Ophélie (Ophélie Bau) is engaged to a guy away doing military service, but having an affair with Amin’s cousin Tony (Salim Kechiouche).

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