
Megalopolis had its world premiere at the Cannes Film Festival. Here's our review...
The phrase 'vanity project' seems entirely fair when applied to Francis Ford Coppola’s indulgent, self-funded epic, although it’s not without entertainment value. From overblown sci-fi concepts to incest and erections, Megalopolis is a comedy of errors in a more literal sense than may have been intended, despite its many Shakespeare references.