‘Fuck this world music, this racist term. This is a rock band,” Mikey Coltun told Wire magazine in February. Coltun, bassist in Mdou Moctar’s backing trio, was right. Anyone inclined to take Nigerien guitarist Moctar or his band at face value will be disabused of the “world music” notion as soon as they start to play. In calf-length Tuareg robes and turban-like white tagelmusts, they passionately shred and lock into psychedelic grooves. Singing in the Tuareg language Tamasheq, Moctar rewrites the guitar-hero rulebook: lesson one is that surging guitar music marinated in the African/American folk fusion known as desert blues is rock.
Ostensibly here to promote the resoundingly praised current album, Afrique Victime, Moctar – “the Hendrix of the Sahara”, as he’s been tagged – is the type who needs no excuse to unpack his white left-handed Stratocaster and play. In an inversion of the usual rock star entrance, the 38-year-old even arrives on stage before his band, who amble on a few minutes later. The four are quickly immersed in the 2017 track Amidini, which proceeds from delicately finger-picked opening bars to psych-drone. Next, Kamane Tarhanin explains the many comparisons to Eddie Van Halen.
