
It’s fair to say that among fusion aficionados, John McLaughlin is the father of jazz-rock guitar.
His experiments with complex harmony, Eastern scales, and chromaticism in conjunction with the rigs associated with the rock and proto-metal players of the late 1960s and early 70s, such as a Les Paul and Marshall stack, cemented his position as the well-spring of fusion guitar at a crucial moment in 20th-century music’s evolution.