“At what precise moment had Peru fucked itself up?” Those words on the opening page of Conversation in the Cathedral announced the arrival of a writer who understood that national history could become the organising principle of fiction. At precisely the moment when Latin America was discovering the intoxicating possibilities of magical realism – a form whose exuberance had an elective affinity with revolutionary politics, collapsing the distinction between the marvellous and the possible – Mario Vargas Llosa plumped for old-fashioned realism instead.
It was a question of sensibility as much as politics, Gerald Martin suggests in this chatty yet coolly analytical biography. He traces the path of a novelist who began by dissecting oligarchy with surgical precision and ended happily dining among its ranks, completing one of literary history’s most spectacular political migrations – from the hard left to the hard right, over the course of half a century.
